One of the biggest and best bands in the UK right now, they kept us waiting three years for the next single to follow Visions Of A Life, but ‘The Last Man on Earth’ was well worth the wait when it dropped in February. (Jessie Atkinson)Īt this point, it might feel like we’re running out of superlatives to describe Wolf Alice. Aside from a poignant acoustic version, the pair's partnership has rested.for now. Sadly, it seems that it may be a one-off. Two of rock's most talented artists with two of 2019's best albums (Remind Me Tomorrow and All Mirrors), Van Etten and Olsen did not disappoint with their collaborative gem, 'Like I Used To'.Ī mournful, country-tinged invocation of two extremely special voices, the track is fatted on layers of juicy production starring splashy, gated percussion and guitars that rise and rise to giddy heights before exploding into starry arpeggiation.
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Two heavy-weights in confessional songwriting with emotional heft, when we found out that Sharon Van Etten and Angel Olsen would be collaborating back in the spring we were full of expectation. Sharon Van Etten and Angel Olsen - 'Like I Used To' It might not be safe for work, but it’s safely in our top songs for 2021. With such unfiltered confidence on her debut mixtape, it’s really exciting to see where Ashnikko is going to go next.Īnd let’s not forget its place on the most important list of all-our 21 Horniest Songs of All Time list. She’s released more exciting stuff since their debut mixtape arrived in January, but ‘Slumber Party’ remains our favourite. Needless to say, 'Slumber Party' quickly took over the internet and made Ashnikko a stand-out star in the next generation of pop. When we were all locked down in our homes at the start of the year, what we needed were strong, bold lyrics. Let’s be real: once Ashnikko came out with the lyrics “Me and your girlfriend playing dress up at my house/ I gave your girlfriend cunnilingus on my couch”, no one else really stood a chance this year, did they? Add in a provocative music video and a verse from Princess Nokia, and Ashnikko had it in the bag this year. SZA also keeps up with her signature writing style and distinctive vocals, making for yet another fantastic duet released in 2021. It’s also an excellent showcase for Doja herself, balancing her breathy, girlish singing voice with her more assertive, raspy rapping voice, flitting between infatuation and seduction. This track lures you into her world with its dreamy backing vocals and romantic guitar line that permeates through the entire song. ‘Kiss Me More’ might not be too complex, but its uncomplicated approach makes it one of Doja’s best songs ever. Who would’ve thought the girl from that cow video would make it so big? Doja Cat delivered one of the best summer songs of this year by teaming up with neo-soul darling SZA and making ‘Kiss Me More’, a mid-tempo homage to disco that shows a more earnestly sweet side to the Californian musician. Wet Leg are a duo with such talent for writing ear worms, and if they’re not your new favourite band then they will be soon. Wet Leg have sold a boat-load of tickets off the back of two very strong singles and have already announced a debut album for 2022.
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'Chaise Longue' burst onto the scene earlier this year as the duo's debut: combining indie essence with French Disco tempo and lyrics that are offhand and funny, 'Chaise Longue' is without doubt one of 2021’s strongest singles. Not to mention the sheer quality of the tunes, Wet Leg are a band with buckets of potential. Isle of Wight duo Wet Leg are one of the most promising new acts on the scene right now-their joyously catchy mix of indie guitar, fun lyrics and a sense of rude wholesomeness make for a band who are irresistibly charming. Find here the Gigwise 20 best tracks of the year:
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While genres will morph, advance and retreat, there will always be: a young newcomer who makes everybody feel older than they are, a fantastic collaboration or two, a tear-jerker, a floor-filler, a buzzy new band.Ģ021 is no different: we got stonking tracks from every one of these tropes, and then some. In the annals of music, some things never change.